Sunday, June 12, 2011

No kidding

Roberta Smith, head art critic for the New York Times, was in Venice last week covering the Biennale.  Her article in Friday's paper included the following comment:

"Again and again come reminders that few things flatter a work of recent art more than its being installed in the relatively untouched rooms of a 16th- or 17th-century palazzo overlooking the Grand Canal."

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